Introduction

In recording, a microphone is the first and most crucial link in the signal chain. The right mic captures the essence of a performance, while the wrong one leaves tracks sounding flat. Today, we’ll closely examine the Lauten Audio LA-320, a large-diaphragm condenser mic designed for professional studio use.

About Lauten Audio

Founded in 2006, Lauten Audio, a California-based company, specializes in high-end studio microphones. Lauten Audio has earned a reputation for producing mics that deliver exceptional sound quality and value, focusing on innovative design and meticulous craftsmanship.

The Lauten Audio LA-320 (see current price) is their entry-level large-diaphragm condenser, aiming to provide professional-grade performance at a more accessible price point. Let’s see how it stacks up.

Design and Build Quality

The LA-320 features a sleek, modern design that fits any professional studio. The microphone body, made of solid brass, provides excellent durability and rejects unwanted resonances. The matte black finish looks great and helps the mic blend in during video shoots.

The LA-320 features a large 32mm dual-diaphragm capsule, designed to provide a balanced and detailed frequency response. Lauten Audio hand-assembles and tests the capsule in the USA, ensuring consistent quality control.

The LA-320’s build quality is impressive, especially considering its price point. The mic feels substantial, and the included shock mount is sturdy and easy to use. However, some users have reported durability issues with the included pop filter, so investing in a higher-quality third-party option may be wise.

Sound Quality

The most important aspect of any microphone is its sound. The LA-320 aims to deliver a balanced, natural sound that works well on various sources.

On vocals, the LA-320 provides a clear, detailed midrange with a subtle upper frequency boost that adds presence and clarity. The well-controlled low end avoids the muddiness that sometimes plagues large-diaphragm condensers. While it may lack the warmth and character of some higher-end vocal mics, the LA-320 provides a solid, professional-sounding foundation.

The LA-320 also performs well on acoustic guitars, providing a detailed, balanced sound that captures the instrument’s nuances. The mic’s fast transient response accurately reproduces the attack of picked or strummed notes, while the balanced frequency response maintains the guitar’s body and warmth.

The LA-320 particularly shines as an overhead drum mic. Its wide cardioid pattern and balanced frequency response suit capturing the full kit, delivering a natural, cohesive sound. The LA-320’s high SPL handling allows it to handle a drum kit’s dynamics without distortion.

While the LA-320 is a solid overall performer, it may not suit every source. Some users find it sounds thin on sources requiring more low-end weight, such as male vocals or bass-heavy instruments. Additionally, the LA-320’s self-noise is higher than some other mics in its class, which can be noticeable in very quiet recording situations.

Features and Extras

The LA-320 keeps things simple feature-wise, focusing on delivering solid core performance rather than bells and whistles. The mic features a cardioid polar pattern, isolating the source and rejecting off-axis sound.

The LA-320 comes with a few essential accessories. The included shock mount is well-designed and isolates the mic from vibrations and rumble. The mic also includes a basic pop filter to reduce plosives and wind noise. However, as mentioned, some users have questioned the pop filter’s durability.

One notable omission is the lack of a pad switch or high-pass filter. While the LA-320 has respectable SPL handling, a pad can be useful for recording very loud sources like guitar amps or brass instruments. A high-pass filter can reduce low-frequency rumble and proximity effect. Although not essential, these features can help in certain recording situations.

Competition

The LA-320 faces stiff competition in the crowded field of large-diaphragm condenser mics. The Rode NT1-A and Audio-Technica AT4040 offer similar performance at a comparable price point, with the added benefit of pad switches and high-pass filters.

Mics like the Shure KSM32 and Neumann TLM 102, costing a bit more, offer a step up in sound quality and features, with more advanced capsule designs and lower self-noise.

That said, the LA-320’s balanced sound and solid build quality make it a compelling option in its price range. While not the flashiest or most feature-packed mic, it delivers where it counts—in the quality of the recordings it produces.

Final Thoughts

The Lauten Audio LA-320 is a solid choice for anyone seeking a versatile, professional-sounding large-diaphragm condenser mic at a reasonable price. While it may lack some competitors’ bells and whistles, it delivers where it counts—in the captured sound quality.

The LA-320’s balanced frequency response and fast transient response suit various sources, from vocals to acoustic guitars to drum overheads. And while it may lack the character of some higher-end mics, it provides a solid foundation to work with.

The mic’s build quality is also impressive, with a solid brass body and sturdy shock mount that feel built to last. The included pop filter’s durability may be a minor quibble in an otherwise well-designed package.

Of course, no mic is perfect, and the LA-320 has a few limitations. The lack of a pad switch or high-pass filter may be an issue for some users, and the mic’s self-noise may be noticeable in very quiet recording situations. The LA-320 may not be the best choice for sources requiring significant low-end weight.

But for most recording situations, the LA-320 is a reliable, capable performer. If you’re looking for a high-quality, versatile large-diaphragm condenser mic that won’t break the bank, the Lauten Audio LA-320 is definitely worth considering. While it may not be the flashiest mic, it delivers solid performance and value for the price.

Ready to add the Lauten Audio LA-320 to your mic locker? Check current price here.